A little about me.
Hello, I’m Alex. I write for radio, stage, and screen. I’m also busy living quietly somewhere in Manchester (UK)
Currently, I am writing a TV pilot for Adapted Pictures on the BFI funded project HOW TO BE. Plus, working on my new TV drama pilot with Dancing Ledge Productions. I’m also writing a folk horror feature with Hipster Films and am part of the BFI NETWORK x BAFTA Guru Scheme 2019/2020 and 2021.
2019 – I won The BBC’s Alfred Bradley Bursary Award 2019 with my radio drama POUNDLAND VANILLA PRINCESS (airs 22 March 2021 on BBC Radio 4)
2019 – Thousand Films Screenwriting Competition with my 6-part TV comedy BELLA IN THE AFTERNOON
2019 – The Old Vic 12 with WHEN I WAS A TROLL
Runner up in Commonword’s “Best New Northern Novelist” with my manuscript THE LANDLORD, THE MEDIUM AND THE CHERUB (2008)
2019 – VAMP (a comedy short Selected for the BFI/Film Hub North’s script lab – currently developing further.
2017 – THE GIRL WHO DRESSED AS A BEAR (a magical realist short) Selected for the Watersprite Film Festival and later published in U.S anthology Hashtag Queer.
Our Kid Jesus (comedy) The Cockpit Theatre, London and 3 Minute Theatre, Manchester 2013. Dir. Dominic Kelly. Produced by The Salon Collective (2013). Winner of 24:7 Theatre Festival’s Next Big Idea Event 2013.
Seconds (drama) The Soho Theatre, Pleasance Theatre, and Rosemary Branch Theatre. Produced by Writer’s Avenue and Missfit Productions. Dir. Adam Morley. Winner of ‘The First 20 minutes’ playwriting competition 2010. ‘The Next Stage’ playwriting competition (2011) and ‘The Final Stage’ 2012 playwriting competition.
The Crucifixion of Madeline Mackay (or what the Owl Man knew, and the girl found out) The Red Lion Theatre, The Rosemary Branch. Produced by Missfit Productions. 2009 (I think).
OTHER TRAINING etc…
John Yorke’s “Story for Script Development (for story editors)” CPD Course 2019
The Raising Films Writer’s Residency 2019
STAGE ONE’s Bridging the Gap Commercial Theatre Producers Scheme 2018/2019
Postgraduate Certificate in TV and Radio Scriptwriting, The University of Salford 2017
I’m not represented, so if you want to work together, contact me directly.